Exhibit to Highlight South Williamsburg

Still from "For Sale in Los Sures" (Los Sures)

Williamsburg is shorthand for hipsterdom in New York City conversations, but the Brooklyn neighborhood is actually two very distinct communities.

On July 25, a new show at the Fordham College Lincoln Center Campus' lldiko Butler Gallery will feature the part of the neighborhood that’s far-removed from the skinny, jean-clad, hirsute denizens of the epicenter of cool.

Living Los Sures, which will run through Oct. 5, is made up of selections from a collaborative documentary of the same name, about the south side of Williamsburg, by Union Docs Center for Documentary Art.

The selections--a mix of still photographs and short clips about residents of the neighborhood--take as their starting point Los Sures, a 1984 documentary by Diego Echeverría that showed the drugs, gang violence, crime, abandoned real estate, and racial tensions that plagued the area's Puerto Rican and Dominican community back then. 

Still from "Another Day" (Los Sures)

Like its northern hip-culture neighbor and the city as a whole, the community has rebounded over the last 20 years. But now it faces new challenges in the form of gentrification.

Union Docs Collaborative Program Director Toby Lee said that, with its rich cultural and political history, South Williamsburg is in many ways a distillation of challenges the city as a whole faces.

Gentrification, urban development, air rights, and more are happening all over the place, she noted--even at Hudson Yards around the corner from Fordham’s Lincoln Center campus.

“It feels like it’s a moment where a lot of these issues of community displacement are really in the foreground, and I think the history of the south side of Williamsburg has a lot to teach us,” she said.

Residents there were among the first to embrace lower-income housing coops, which were used to reclaim abandoned buildings for rehabilitation in the 1970s, for example.

“What Los Sures is experiencing in terms of the gentrification is what has already happened in North Williamsburg, which is unrecognizable for a lot of people. The demographics have changed drastically, and there are so many positives and negatives about it.”

Still from "Before After"

Stephan Apicella-Hitchcock, artist-in-residence at Fordham, works extensively with the group as a programming adviser. He hopes Living Los Sures will be engaging and provocative for the Fordham community.

“UnionDocs is an exceptionally professional and well-run organization that provides a much-needed platform for film and photography documentarians to present and discuss their work in a public setting," he said.

“I believe in what UnionDocs do and feel that their project at the Ildiko Butler Gallery will generate lively dialogue and food for thought.”

Living Los Sures opens on Friday, July 25 at the Ildiko Butler Gallery and runs through Oct. 5. For more information, visit the gallery website.

—Patrick Verel

Fordham, as Seen From the Archives

William Fox was a freelance photographer who worked in the 1930s and 40s for Fordham during the Robert Gannon, S.J. administration, for upwards of 20 years. He left all his negatives and photographs to Fordham's library decades ago--coverage of commencements, campus architecture, student life, and more. His most famous photos are arguably the Lombardi, Seven Blocks of Granite photos. 

But some of the lesser-known works will be on display starting tomorrow in the Ildiko Butler Gallery on Fordham's Lincoln Center campus. 

From the Archives: Photographs by William Fox from the Fordham University Archives and Special Collections

Curator: Stephan Apicella-Hitchcock

The Ildiko Butler Gallery

Fordham University at Lincoln Center

113 West 60th Street at Columbus Avenue

New York, NY 10023

Exhibition dates: June 6 – July 18, 2014

Website: http://fordhamuniversitygalleries.com

The images that Apicella-Hitchcock has chosen to display were all created between the years of 1940 and 1941.

University archivist Patrice Kane said that most of the photos and negatives were stored in the archives in the administration building basement until the archives were relocated in the 1990s in the new Walsh Library. Most of them, which Fox stored in the original glassine envelopes, survived and are intact; however, for some years the negative emulsion, some of which was of unstable material and experienced  some fluctuations in temperature and humidity, have tended to "separate and bubble," she said. Kane's office transferred them to archival housing in the new Walsh Library. 

The exhibit, according to Apicella-Hitchcock,represents "the beginnings of Fordham University’s self-awareness, from a publicity and photographic point of view." Those that were chosen display some of the slightly-flawed negatives (like the image below of Duane Library). The fissures and patterns create an eerie dimension to the images, which Apicella-Hitchcock hopes "intentionally highlight the flaws of the analog process for their mystery and visual beauty, in contrast to our digital age of precision and perfection."