Bronx Historian's Archives Left to Fordham

Notes on back of photo read "Pucho Band" and "Black Catskills." 

Morgan Powell’s book collection arrived at the Fordham University Archives this morning, buttressing the late historian’s already substantial contribution to the Bronx African American History Project.

Powell was just 40-years-old when he died last month and the Medical Examiner’s Office is still investigating the cause.

Morgan Powell

Much to the surprise of University Archivist Patrice Kane, Powell donated a significant portion of his archives late last year. The archives were chock-full of research in his two primary interests: African American history and local ecology.

“We don’t usually get archives donated from someone so young,” said Kane, leafing through one of Powell’s meticulously annotated binders. “But he definitely understood archival standards.”

Much of the material donated is not necessarily from an original source, but the thousands of copies of receipts, photos, maps, articles, and even an undertaker’s notice with a Post-it marked “traces of slavery,” represent an amalgamation of disparate sources pulled together for the free tours he gave to Bronx residents. Powell never charged for the tours.

One of Powell's tour maps.

“He knew that the Bronx was the poorest borough in the city and people wouldn’t be able to come if he charged,” said Mark Naison, Ph.D., professor of African and African American Studies. “He understood the people very well and that’s why he’s revered.”

Naison said that despite Powell’s limited academic training, his research was rigorous and presented some highly original connections.

Powell’s tour guide binders have an almost jazz-like quality with their loose associations. Maps act almost like music bars that anchor the process, archival materials providing the notes, and marginalia dropped in like riffs on the theme.

Powell's archives include the undertaker's notice of the"faithful servant" whose grave sits beside Augustus Zerega.

Some of the notes are pretty straightforward, but others include detailed stage directions for the tour guide, like this instruction for the Bronx Zoo: “discuss on lowest grade near waterfall so that the echo of the presenter’s voice bounces off the retaining wall immediately behind tour-goers.” Then there are investigative notes, like this one: “Connect the dots. The Bronx was part of Lower Westchester during every census conducted during the slavery epoch so there is a way to find out where our ancestors worked and in whose bondage. 8.29.2010 M.P.”

“Not everyone thought of linking African American history to the rivers, waterways, and parks,” said Naison. “The tours he led were totally original. I’ve never known an independent scholar that created as much excitement as Morgan Powell.”

An unidentified photo.

Powell's archive includes recent history.

— Tom Stoelker

Fordham, as Seen From the Archives

William Fox was a freelance photographer who worked in the 1930s and 40s for Fordham during the Robert Gannon, S.J. administration, for upwards of 20 years. He left all his negatives and photographs to Fordham's library decades ago--coverage of commencements, campus architecture, student life, and more. His most famous photos are arguably the Lombardi, Seven Blocks of Granite photos. 

But some of the lesser-known works will be on display starting tomorrow in the Ildiko Butler Gallery on Fordham's Lincoln Center campus. 

From the Archives: Photographs by William Fox from the Fordham University Archives and Special Collections

Curator: Stephan Apicella-Hitchcock

The Ildiko Butler Gallery

Fordham University at Lincoln Center

113 West 60th Street at Columbus Avenue

New York, NY 10023

Exhibition dates: June 6 – July 18, 2014

Website: http://fordhamuniversitygalleries.com

The images that Apicella-Hitchcock has chosen to display were all created between the years of 1940 and 1941.

University archivist Patrice Kane said that most of the photos and negatives were stored in the archives in the administration building basement until the archives were relocated in the 1990s in the new Walsh Library. Most of them, which Fox stored in the original glassine envelopes, survived and are intact; however, for some years the negative emulsion, some of which was of unstable material and experienced  some fluctuations in temperature and humidity, have tended to "separate and bubble," she said. Kane's office transferred them to archival housing in the new Walsh Library. 

The exhibit, according to Apicella-Hitchcock,represents "the beginnings of Fordham University’s self-awareness, from a publicity and photographic point of view." Those that were chosen display some of the slightly-flawed negatives (like the image below of Duane Library). The fissures and patterns create an eerie dimension to the images, which Apicella-Hitchcock hopes "intentionally highlight the flaws of the analog process for their mystery and visual beauty, in contrast to our digital age of precision and perfection."